Kyle Kerr

Finishing What I Started

03/9/09 | My Writings, On Writing, The Industry | 7 Comments

I think I’ve lost most of my “readers” by not updating as often as I used to, so I’m here after only two weeks instead of my usual month, which has been the norm for a while now…

I’ve finished writing new chapters for the second part of my book, and I’ve now started on Part 3.  It’s going to be a relatively short PART, about 10,000 words, not including the Epilogue, which is already written.  Hopefully, I can get it done in the next week.  Then I need to go back to Part 2 and rearrange/edit/splice what’s there and write some new scenes.  All-in-all, not much more work until it’s finished.  I’ve even given myself a deadline of March 31st (which I hope to stick to… this time), and have scheduled a week of vacation at the end of the month so that it can be done.  Anyone have any goats we can sacrifice… or better yet, any virgins?

The baby is being kicked out of the nest after this last edit.  When I’m done with it (by the end of the month!), I plan on sending it to three of my friends (you already know who you are), so that I can get an even analysis of the book.  From that, I’ll make spot edits/changes, and then it’s off to literary agent purgatory to await judgment.  Hopefully my book will be able to ascend, rather than going the h-e-double-hockey-sticks route, if you catch my drift.

I know I keep saying it’s time, but ya’ll, it’s time! Other characters for other projects are whispering sweet nothings in my ears, tempting me away.  And I am SO temptable at this point.  At least if they were real people I might be getting laid right now.  But that’s the whole point, isn’t it?  If I move on to these other stories, I’ll feel like I’m cheating on the current one.  This one will be scorned, bitter and abandoned, and the one I cheated on it with will be the dirty, resentful mistress, because of course I wouldn’t have TOLD either of them what I was doing, but they always find out about one another at some point!  See my dilemma?

For my next set of novels, I’ve already decided to go into them as open relationships (sorry to continue with the sex analogy here, it just seemed to work so I’m running with it).  I know my writing pace, so know I can work on multiple projects at once and finish two to three per year (if my life goes according to plan and I’m able to write full-time).  I can do one a year for each of my YA novels, possibly another random commercial novel, and a literary novel every two years.  This is something I KNOW I can do, if only I have the time.

You’ve probably noticed that I have a lot of confidence in my writing and my writing ability.  I don’t know where it comes from, but it’s there, so I go with it.  Now, the thing is, I have ZERO confidence that what I’m writing will sell, or that it’ll make me any money.  We have had it ingrained in us how hard it is to make it in this business.  Talent plays a big part (I’m not saying I’m talented, I just have confidence… I could be confident in crap, I don’t know, but I think every writer has confidence in their writing, or else they wouldn’t be doing it!  Hear that, D?), but it’s also luck and timing and an amalgamation of other factors that all need to align at the same time as the planets do (meaning, rarely).  I also know they say most writers never sell their first books.  Well, that’s not really an option for me.  I’ve spent FAR too much time on this book to never get it published… Even if I sell the rest of the books I write and make millions doing so, I’ll always be pushing this book, too.

That was a whole bunch of rambling, wasn’t it?  Well, have you ever paid attention to what I call my blog on here?

Hopefully I’m doing you proud, Simon, and you’ll be satisfied enough to leave in peace.  I love you, but eight years is a long time.  We’ll still be friends, okay?  And I’ll probably see you again in a few years, if I actually go ahead and decide to write the book from the POV of another character like I’ve been thinking about.  DAMN IT!  Shouldn’t have said that!

Until next…

(Oh, if you subscribe to my Journal through either an RSS feed or through Email, let me know if you’re having trouble getting it when I publish… The site I use to send out the updates was recently acquired by Google, and I haven’t gone into it since then.  Please let me know!)

Kyle W. Kerr

Writers’ Strike Officially Over!

02/13/08 | Awesome, Business, Movies, The Industry, TV Shows | 1 Comments

Hot news straight from the WGAe website:

Members of WGA Vote by 92.5% to Lift Strike

To Our Fellow Members:

On Tuesday, members of the Writers Guilds East and West voted by a 92.5% margin to lift the restraining order that was invoked on November 5th. The strike is over.

Writing can resume immediately. If you were employed when the strike began, you should plan to report to work on Wednesday. If you’re not employed at an office or other work site, call or e-mail your employer that you are resuming work. If you have been told not to report to work or resume your services, we recommend that you still notify your employer in writing of your availability to do so. Questions concerning return-to-work issues should be directed to [...].

The decision to begin this strike was not taken lightly and was only made after no other reasonable alternative was possible. We are profoundly aware of the economic loss these fourteen weeks have created not only for our members but so many other colleagues who work in the television and motion picture industries. Nonetheless, with the establishment of the WGA jurisdiction over new media and residual formulas based on distributor’s gross revenue (among other gains) we are confident that the results are a significant achievement not only for ourselves but the entire creative community, now and in the future.

We hope to build upon the extraordinary energy, ingenuity, and solidarity that were generated by your hard work during the strike.

Over the next weeks and months, we will be in touch with you to discuss and develop ways we can use our unprecedented unity to make our two guilds stronger and more effective than ever.

Now that the strike has ended, there remains the vote to ratify the new contract. Ballots and information on the new deal, both pro and con, will be mailed to you shortly. You will be able to return those ballots via mail or at a membership meeting to be held Monday, February 25th, 2008, at times and locations to be determined.

Thank you for making it possible. As ever, we are all in this together.

Best,
Michael Winship
President
Writers Guild of America, East

Patric M. Verrone
President
Writers Guild of America, West

Thank GOD that’s finally over and done with!  Writers prevail!

Until next…

Kyle W. Kerr

Possible End To The Writers’ Strike?

02/8/08 | Awesome, Business, Movies, The Industry, TV Shows | 1 Comments

According to an article from CNBC.com, a deal has finally been reached between the Writers Guild of America (WGA) and the Alliance of Motion Picture and Television Producers (AMPTP).

According to Disney CEO Michael Eisner: “A deal had been made, and [the writers] will be back to work very soon.  I know a deal’s been made.  I know it’s over.”

The proposed deal will be revealed to WGA members on Saturday, with both coasts holding conferences for their regional members: one in NYC, and the other in LA.

If the deal is approved over the weekend, the writers may be back to work as early as Monday.

What does this mean for us?

New episodes of all of our favorite TV shows, and a less likely chance that the Fall 2008 TV season and 2009 movie season will be affected!  This is GREAT news.

And, according to sources, the two groups were able to come to amicable terms over such hot button issues as New Media and online advertising revenue royalties!  This means more money for the writers, who, as we’ve seen, are the backbone of the industry!

Until next…

Kyle W. Kerr

How Far Is Too Far?

01/28/08 | General, Idiot Mode, The Industry, TV Shows | 5 Comments

(This post is a prime example of why “Rambling” is in my Journal’s title… so be prepared for a little rant!)

I just read this article.  It talks about the FCC fining ABC $1.43 MILLION for airing a “woman’s naked backside.” Oh, did I mention that this was from an episode of NYPD Blue… from 2003?

The episode in question depicts “a nude woman [who] is surprised by a young boy as she prepares to shower.”

FCC Commissioner Deborah Taylor Tate had this to say about the fine:

“Our action today should serve as a reminder to all broadcasters that Congress and American families continue to be concerned about protecting children from harmful material and that the FCC will enforce the laws of the land vigilantly.”

The “indecent” video is below:
(If ABC can get sued for this, I’m guessing you shouldn’t watch it at work… just saying!)

I don’t know about you, but there is nothing sexual in nature about this clip.  It’s an embarrassing situation that happens all the time, and they were just using it for comedic effect.  Besides, NYPD Blue had been on the air for ten years prior to this episode airing, and the show was known for its racy scenes… scenes that depicted naked people (women AND men) either having sex or in some sort of erotic scenario.  This was tame compared to other scenes they’ve aired.

Am I the only one who thinks this is completely ridiculous?  What’s with the “save the children” routine?  Why do we even care if our kids see a little skin now and again?  The kid didn’t walk in on two people having sex (which, I can assure you, happens all the time, too).  Go to France and you see naked billboards and soap commercials.  It’s not harmful for children to see these things, but the media and ultra-conservative parents make is seem that way.

Has the American culture become overly sexualized?

(I felt like Carrie Bradshaw from Sex and the City as I wrote that line just now.)

How have we somehow become more prudish?  I just watched the original 1963 adaptation of William Golding’s Lord of the Flies, and couldn’t help thinking that the same movie would never be made the same way today.  Not only are there scenes depicting the usually angelic creatures that are little boys as pure demons, but they run around naked for half of the movie as well (and you see everything). 

(I hope this picture doesn’t offend anyone… I was just posting it to prove a point! Me having to add this disclaimer is sort of a point maker on its own, if you think about it...)

Back then, the boys being naked would have been out of innocence and a need to free themselves in a world where adults couldn’t rule over their existance.  The saying “Boys will be boys” didn’t come from nowhere, you know.  Today, this would be seen as gay or indecent… but you tell me of a little boy who likes having his clothes on.  I know I didn’t when I was younger, and I have seen more little boys pull down their pants in front of a crowd than I can count (and little girls pulling up their skirts, for that matter).  It’s what kids do.

The 1963 rating of this movie was:

Now, it wouldn’t get anything less than PG-13, or even R, for extreme violence and nudity.  The boys kill animals, they kill two of the boys (one in a way that still gives me shivers as an adult), they chant and dance in a ritualistic fashion (as shown in the first image above), they are volitile, they are dangerous, and they have a taste for blood.  What parent would take their child to see such a movie today?

In the first season of the ABC Family hit Kyle XY, Kyle gets an erection at the public swimming pool and doesn’t understand what it is, or how to get rid of it.  He later talks to Josh, the younger child in the family (who I’d put at 15-years-old during that season), who explains masturbation to Kyle and even proffers a porno magazine for Kyle to use.  Why wasn’t the FCC all over that?  Was it because they only talk about sex and didn’t show it, or is it because you never actually saw any skin?

I really don’t know, but I think some people are taking this a little too far.  Seeing a couple seconds of a naked woman is not going to scar America’s children for life.  They know what nudity is, they have seen people naked before.  As long as you’re not exposing them to actual sex, I think they’ll be just fine.

Until next…

Kyle W. Kerr

Open Letter To Nick Counter

12/7/07 | Business, The Industry | 0 Comments

TO:  Nick Counter, chief negotiator for the Alliance of Motion Picture and Television Producers
FROM:  Kyle Kerr, concerned citizen and future WGA member
SUBJECT:  The AMPTP should agree to the Writers Guild of America’s contract terms

For the past four weeks, over 12,000 members of the Writers Guild of America have been on strike because their contracts expired.  You have been in negotiations with the WGA since July of this year, yet no agreement on new contract terms has been made.

As you know, the writers are seeking two things: higher residuals for DVD sales and payment for movies and TV shows sold and aired over the internet.  The WGA is seeking to double residuals for DVD sales from $0.04 to $0.08 per DVD, which have an average retail price of $19.99-34.99.  Writers are also not currently compensated for sales and revenue generated from New Media (which refers to newer ways of displaying video, such as the internet, cell phones and mobile devices like iPods).
In 2007, consumers are expected to spend about $16.4 billion on DVDs, and studios could generate about $158 million from selling movies online and about $194 million from selling TV shows online.  In such a volatile industry, where there is often no job security and where writers can go through months of unemployment between projects, residuals are an extremely important part of their income. There is no other cushion for them.

By agreeing to the WGA contract terms quickly and amicably, you will be able to 1) avoid a potential industry loss in the billions, and 2) retain a strong public image.

1. Reduce the chances of a potential billion dollar industry loss

The last writers strike lasted for months, and cost the industry hundreds of millions of dollars in only that short amount of time.  Think of what a similar loss would equate to in today’s economy.  It will not be millions, or even hundreds of millions of dollars; it will be in the billions, especially if the strike were to last longer than its predecessor.  The majority of losses will be in the form of advertising dollars companies will no longer want to spend on shows that have entered into reruns, though, in the future, box office receipts and DVD sales will be affected as well.

1.1 Learn from the past

The last WGA strike was in 1988 and lasted 22 weeks (just over five months), resulting in a staggering $500 million loss for the entertainment industry.  Considering inflation, a similar strike in 2007 could result in over $1 billion in economic losses, according to Los Angeles economist Jack Kyser.  These losses would be the result of television shows being forced into reruns, which, for many networks, will happen in early 2008 (power hitters such as ABC’s Grey’s Anatomy and NBC’s Heroes have already aired all possible episodes without the return or their writers).  Talk-shows such as Jay Leno, David Letterman and Jon Stewart, which rely heavily on current news events, were affected immediately and have already gone into reruns.

As viewership begins to decline due to the use of reruns, companies will be less and less willing to spend any significant portion of their advertising dollars on these shows, which is where the majority of the industry losses will stem from.  If an agreement is not reached within the next few months, TV shows will not complete their current seasons and pilots for the 2008 fall season will not be shot, resulting in a complete lack in new programming for the entire 2008 year—save for reality television shows, which have a strong hit-or-miss relationship with fickle viewers. 

1.2 What you are missing

The first paragraph of the official 2007 strike rules, a document you are surely familiar with, states that all WGA members…

…must immediately stop writing for any and all struck companies. [Members] may not continue to write or complete writing started before the strike for a struck company. [Members] may not start writing on a new project during a strike. [Members] may not perform writing services even if [s/he] work[s] at home or at [his/her] own office rather than at the company’s premises. This Rule also prohibits [members] from attending meetings, or engaging in conversations, as a writer concerning new, pending or future projects or writing assignments with producers, directors or other representatives of any struck company. [Members] may not attend pitch meetings or communicate with a company representative to receive notes on literary material even if [s/he] intend[s] to wait until the strike ends to make any requested changes.

Meaning that, until the matter is resolved, no WGA member is to work—or even make contact with—one of the above mentioned “struck companies” in any way.  These companies comprise all of Hollywood’s major studios, including the Big Five: News Corp. (Fox), Universal (NBC), Viacom (Paramount, CBS), Time Warner (WB, New Line Cinema, CW) and Disney (Pixar, ABC).  This amounts to an entire industry shutdown in the very near future if negotiations are not successful.  Not only will the talk-shows be affected, but regular television programming, and, eventually, major motion pictures.

2. Begin to mend an already broken public image

Everyone is being affected by the continuation of this strike.  Without writers, production on all late-night talk-shows and a number of prime-time television shows has been suspended, and their non-WGA member employees along with them.  Some have been entirely laid-off, while others were lucky enough to get suspended with a 50% pay cut.  This is no longer about writers and producers; not only are the above mentioned staff members being affected, but your viewers as well.  The audiences—the very people who provide the ratings from which you are able to charge advertising dollars for—are unhappy and siding with the writers.

2.1 The innocence at stake

Since the talk-shows have gone off the air over a month ago, nearly all of the non-WGA members staffed by production companies and television studios have been laid off (anywhere from 50-80 staff members per show).  Because most of the talk-show hosts are also card-carrying WGA members (including Jay Leno, Conan O’Brien, David Letterman, Jimmy Kimmel, and Craig Ferguson), they are not allowed to cross the picket lines, so their shows have not resumed production.  Jay Leno, David Letterman and Conan O’Brien are paying these staff members out of their own pockets.

Also suspended (for five weeks with a 50% pay cut) because of the writers strike are the NBC and Sci-Fi Channel regular casts of 30 Rock, The Office, Bionic Woman and Battlestar Galactica.  Sony Pictures TV has suspended regulars of ‘Til Death and Rules of Engagement without pay.  Warner Bros. TV has warned that layoffs are in the future if the strike continues.

2.2 Audience patience is beginning to wane

We all remember the ratings slump that welcomed NBC’s Heroes after its six-week extended “spring break” during the show’s first season.  The writers strike has been in effect for four weeks to date, with all late-night talk-shows already in reruns and most prime-time television shows not far behind; how long do you think it will take for fans to start losing interest in these shows?

A recent poll, conducted by the Graziadio School of Business Management at Pepperdine University, states that 63% of Americans are in favor of the striking writers, with only 4% in favor of networks and studios.  33% said that they were unsure.  Another poll, carried out by SurveyUSA in Los Angeles, reported that 69% of adults familiar with the strike supported the writers.

There has also been an online petition created in support of the WGA strike.  As of December 6, 2007, there have been over 61,350 signatures collected.  The petition states: “We, the undersigned, fully support the strike of the Writers Guild of America, and agree with the WGA’s stated goals of obtaining just and fair compensation regarding revenues generated through ‘new media’. Sincerely, The Undersigned.”

Not only are viewers upset about the hoards of industry employees being laid off, but about their loss of programming as well.  Besides the above mentioned affected television shows, a number of studios have announced the delay of several major motion pictures.  One victim of such delays is the much anticipated prequel to the 2006 blockbuster The Da Vinci Code, Angels & Demons, staring Tom Hanks and Naomi Watts, and helmed by Da Vinci director Ron Howard.  Release of the picture has been pushed from winter 2008 to summer 2009.  Also postponed is Columbia Picture’s Edwin A. Salt, a spy thriller featuring Tom Cruise.  NBC has also cancelled its planned Heroes spin-off series, Heroes: Origins, which was supposed to air for six episodes starting in April 2008.

I think you can agree that this strike has gone on long enough, and we can only hope that an end is very near in sight.  If you agree to the WGA’s terms for fair compensation, then you and the rest of the industry will be able to avoid the catastrophic consequences I have outlined above.  Your producers and studios will benefit from an increase in advertising revenue and a higher public image; writers guild members will benefit from a fair and just compensation package; actors, directors and non-union workers will benefit from reinstated production of their programs; and, most importantly, the audience will benefit from an increase in new programming.  All you have to do is give a little in order to do a lot of good.  Please feel free to get in contact with me at any time for further encouragement.

Thank you for taking the time to read this message, and I hope that the AMPTP and WGA will be able to find a solution soon.

Sincerely yours,

Kyle W. Kerr

First Movie Casualty Of Strike

11/20/07 | Business, Movies, The Industry | 0 Comments

The following is an article from IMDb Pro:

“‘Angels’ wings clipped
19 Nov 2007 11:25am EST - By Borys Kit and Leslie Simmons

Sony has postponed production on Columbia Pictures’ Angels and Demons, the latest major film project to be derailed by the writers strike.

Tom Hanks is set to reprise his role as symbologist Robert Langdon in Angels, a prequel to The Da Vinci Code, with Ron Howard again directing. The studio said Friday the screenplay by Akiva Goldsman, an adaptation of the Dan Brown novel, was not ready to go before the cameras.

But Angels isn’t alone. Several other projects are in limbo and might be heading towards postponement, even with the WGA and the Alliance of Motion Picture & Television Producers returning to the table next week. The shifting schedules are causing some directors to leave projects and others to pick up projects as the labor drama plays out.

Columbia’s Edwin A. Salt, a spy thriller with Tom Cruise attached, has been pushed back due to director Terry George is stepping off the project. Michael Mann wants to pick up the directing reins but only will step in if there’s a rewrite, which can’t be done while the strike is on. Visit HollywoodReporter.com for more ...”

That makes me sad.  Settle with the WGA already!  They’re not asking for much…!

Until next…

Kyle W. Kerr

WGA Strike

11/9/07 | Awesome, Business, Movies, The Industry, TV Shows | 0 Comments

Something has been going on this week that will affect my future (at some point).  The Writers Guild of America is on strike.  I had to put together some information on this topic for one of my classes, so I’m going to put that here now (so you’ll know the facts):

The last WGA strike was in 1988 and lasted 22 weeks (five months), resulting in a reported $500 million loss for the entertainment industry.  A similar strike in 2007, according to Los Angeles economist Jack Kyser, could result in over $1 billion in economic losses.  These losses would be the result of television shows being forced into reruns, which, for many networks, will happen in early 2008.  Talk shows (such as Jay Leno, David Letterman and Jon Stewart), which rely on current news events, will be affected immediately [and they were, all are off the air as of now].  Losses will be in the form of advertising dollars, which will shrink due to declining viewership due to the reruns.

Here’s a short video to explain all that to you:

As of right now, five days after the strike started, negotiations have not restarted.  Bill Clinton has even offered to mediate the process to try and resolve the issue.

People seen on the picket line with the writers: Robin Williams, Jay Leno, the casts of Grey’s Anatomy, Scrubs, and Desperate Housewives, Julianne Moore, Tina Fey, Tim Robbins, David Duchovny, Roseanne Barr, Ellen DeGeneres, Eva Longoria and Julia Louis Dreyfous.  Jon Stewart is paying his writers for the next two weeks… out of his own pocket.

According to an article from The Hollywood Reporter, democratic Presidential nominees Hillary Clinton and Barack Obama are also behind the writers:

Said Sen. Hillary Clinton of New York: “I support the Writers Guild’s pursuit of a fair contract that pay them for their work in all mediums.  I hope the producers and writers will return to the bargaining table.”

“These writers deserve to be compensated fairly for their work, and I commend their courage in standing up to big media conglomerates,” he said.  “As someone who has walked picket lines with workers all across America and as a strong believer in collective bargaining, I hope that both sides are able to quickly reach a just settlement.”



I completely agree.  It is ridiculous that studios are not paying writers adequately for their work.  Did you know that they are not compensated for episodes of TV shows aired online?  The same goes for the actors and directors of the shows as well, not just the writers.  Studios are screwing everyone.  It’s disgusting, it’s amoral, and it’s about time that it stopped.

If it were feasible, I would be on the line with them.  As many of you know, it is one of my dreams to write screenplays as well as books.  This is my future at stake here, too.

I wish all of you the best of luck, and hope that the studios will see sense.  Stay brave and stay strong.

Until next…

Kyle W. Kerr